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Eugene Sârbu

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Eugene Sârbu
Head and shoulders, black-and-white, publicity shot of clean-shaven young man in suit, with 1970s curly hair, playing the violin
Eugene Sârbu, in the 1970s
Born
Eugen Sîrbu

(1950-09-06)6 September 1950
Died21 July 2024(2024-07-21) (aged 73)
London, UK
Education
Occupations
  • Classical violinist
  • Conductor
AwardsGeorge Enescu Prize

Eugen Sîrbu or Sârbu, known professionally as Eugene Sârbu (6 September 1950 – 21 July 2024), was a Romanian classical violinist. He had an international career as a soloist, recitalist and conductor (from the violin). In 1978, he won both the Paganini Competition and the Carl Flesch International Violin Competition. He premiered works from living composers including Einojuhani Rautavaara, and recorded violin concertos by Sibelius and Mozart.

Life and career

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Sârbu was born in 1950 in Pietrari, currently in Dâmbovița County.[1][2] He received first violin training at age five from his father[3] and played his first solo concert at age six.[2][3]

He attended Galaţi music school from 1957 to 1968, with Nachmanovici, and the Bucharest Conservatory where he studied from 1968 to 1970 with G. Avakian and Ionel Geanta.[1][3] He won the National Festival of Music award in Bucharest in 1958,[3] and he played his first international concert in Roubaix, France, in 1960.[1]. He studied further in Paris, with Robert Soetens, before moving to the United States in 1970. On a recommendation by Yehudi Menuhin, he received a scholarship to study with Ivan Galamian at the Curtis Institute of Music in Philadelphia from 1970 to 1974,[3][4] and further at the Juilliard School in New York City, continuing with Galamian and achieving a master's degree.[3] He also studied with Eugene Ormandy and Ruggiero Ricci,[1][3][5] and with Nathan Milstein in Zürich and London.[3]

Sârbu was successful in international competitions, winning the Rockefeller Prize for Music (1975), the Paganini Competition in Genoa in 1978, and the Carl Flesch International Violin Competition in London in 1978.[1][2][3] He took a joint second in the International Competition for Musicians – West German Radios in Munich in 1975,[3][6] a third place in the International Jean Sibelius Violin Competition in 1975,[3][7] and seventh (1980) and ninth place (1976) in the Queen Elisabeth Competition.[3][4][8]

Sârbu had an international career as a soloist.[1][4] He also played in recitals, with his sister Carmina Sârbu as the pianist.[1][3][4] According to his entry in Grove's, Sârbu's playing was characterised by "purity of intonation and clarity of tone".[1] He played a Stradivarius violin from 1729.[1][3] He premiered multiple works, including Einojuhani Rautavaara's Violin Concerto, which the composer dedicated to him.[1]

In 1980, Sârbu stepped in to replace the soloist in the North Wales Festival, playing Sibelius' Violin Concerto with the BBC Welsh Symphony Orchestra conducted by Henryk Czyz. In a review for The Musical Times, A. J. Heward Rees wrote that he "played fervently though sometimes insecurely".[9] He performed in London in 1981, playing Beethoven's Violin Concerto with the Royal Philharmonic Orchestra conducted by Antal Doráti. Geoffrey Norris, reviewing the concert for The Musical Times, noted that it "seemed so introspective and indulgent in phrasing and tempo that it lost cohesion and became fragmented."[10] Sârbu's Proms debut came the following year with the BBC Symphony Orchestra conducted by Norman Del Mar,[3] in Ernest Chausson's Poème,[11] and he returned in 1983[3] to play Mozart's Violin Concerto No. 3 with the same orchestra conducted by Ferdinand Leitner.[12] In 1982, he took part in Genoa's celebration of Paganini's bicentenary.[3][13] In 1984, he participated in the Ulster Festival. His performance of Walton's Violin Concerto with the BBC Philharmonic Orchestra was described by Judith Jennings in Fortnight as making "this difficult work sound deceptively easy".[13]

Sârbu also directed from the violin, and in 1982 he became the European Master Orchestra's conductor and soloist.[1][3][14] He recorded violin concertos by Mozart as the conductor–soloist.[1] His other notable recordings include the Sibelius Violin Concerto with the Hallé Orchestra conducted by Ole Schmidt (1981).[1]

His honours include the George Enescu Prize (1995) and honorary membership of the Bucharest Academy of Music (1997);[1] he was made honorary director of the Romanian National Radio Orchestra in 1997.[5]

Sârbu died in a hospital in London, after a long illness, on 21 July 2024, at the age of 73.[3]

References

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  1. ^ a b c d e f g h i j k l m n Margaret Campbell; Irina Boga (2001), "Sârbu, Eugene", Grove Music Online (8th ed.), Oxford University Press, doi:10.1093/gmo/9781561592630.article.52218, ISBN 978-1-56159-263-0
  2. ^ a b c Joyce Kennedy; Michael Kennedy; Tim Rutherford-Johnson, eds. (2013), "Sarbu, Eugene (b Bucharest, 1950)", The Oxford Dictionary of Music (6th ed.), Oxford University Press, ISBN 9780191744518
  3. ^ a b c d e f g h i j k l m n o p q r s "Violinist Eugene Sarbu has died". The Strad. 22 July 2024. Retrieved 23 July 2024.
  4. ^ a b c d "Eugène Sarbu". Queen Elisabeth Competition. 2024. Retrieved 23 July 2024.
  5. ^ a b "Eugene Sarbu", Windsor Festival, retrieved 27 January 2021
  6. ^ "Competitions", The World of Music, 18 (1): 11–12, 1976, JSTOR 43563073
  7. ^ "Competitions", The World of Music, 18 (3): 9–10, 1976, JSTOR 43563567
  8. ^ Victor Ginsburgh; Marie-Paule Orban (2002), "Le concours Reine Élisabeth Que sont les lauréats devenus?", Revue belge de Musicologie (in French), 56: 279–298, JSTOR 3687016
  9. ^ A. J. Heward Rees (1981), "Reports: North Wales", The Musical Times, 122: 45, doi:10.2307/961546, JSTOR 961546
  10. ^ Geoffrey Norris (1981), "Music in London: Orchestral", The Musical Times, 122: 613–617, doi:10.2307/962992, JSTOR 962992
  11. ^ Prom 21, BBC, retrieved 28 January 2021
  12. ^ Prom 19, BBC, retrieved 28 January 2021
  13. ^ a b "Gems from France and the Falls", Fortnight (211): 28, 1984, JSTOR 25547639
  14. ^ Andrew Keener (1983), "Music in London: Orchestral", The Musical Times, 124: 41–42, doi:10.2307/963914, JSTOR 963914
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